备用线路
不安1954的剧情简介 · · · · · ·
小米影院第一时间收录《不安1954》(英文名：buan1954)并提供免费在线观看。《不安1954》上映于 1954-11-05（1954西德），是一部西德制片作品，由英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特等领衔主演。影片(剧)类型为电影，对白语言为德语。
《不安1954》剧情简介：Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
小米影院电影天堂不参与《不安1954》的影视资源制作、录制、上传与存储，当前播放线路分别由备用线路视频网站采集。有关《不安1954》的后续高清完整版本资源会陆续放出，免费在线观看，敬请关注。
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不安1954QA问答 · · · · · ·
Q：电影《不安1954》是什么时候上映的？
A：这部影片的上映时间是：1954-11-05（1954）
Q：《不安1954》电影在哪个电视台播出？
A：《不安1954》目前只有网上如腾讯视频、爱奇艺、优酷、小米影院等播出，没有在电视台播。
Q：《不安1954》电影演员有哪些？
A：不安1954是由罗伯托·罗西里尼执导，英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特主演的剧情剧。。该剧于1954-11-05在腾讯、爱奇艺、小米影院、优酷、等平台同步播出。
Q：哪个网站可以免费看电影《不安1954》？？
A：不用VIP就可以在线观看的网站地址：http://www.ahstzx.com/details/63885.html
Q：《不安1954》讲述的是什么故事？
A：来自小米影院网友的回答：该电影讲述了Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
Q：《不安1954》主要演员有哪些？
A：该影片的主要演员有：英格丽·褒曼 马蒂亚斯·维曼 雷娜特·曼哈特 等人。
Q：《不安1954》有多少集？
A：腾讯视频网友：目前不安1954HD。具体总集数可以去百度问答看看！
Q：英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特的演技怎么样？在《不安1954》这部剧中，你觉得英格丽·褒曼 马蒂亚斯·维曼 雷娜特·曼哈特 的演技怎么样?
A：影视大全网友：最近有英格丽·褒曼 马蒂亚斯·维曼 雷娜特·曼哈特 等演员主演的不安1954一经播出就受到了很多观众的欢迎和认可，这部电影里面，演员的演技都是非常值得肯定的，我觉得英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特在里面的演技非常的好，他能够去把握这个角色所要表达的情感，向观众展现出更好的作品。
Q：《不安1954》电影哪里下载
A：百度视频网友：小米影院为您提供《不安1954》迅雷下载、西瓜视频下载等。
Q：手机端软件app怎么免费看《不安1954》电影
A：电影天堂网友：您可以用手机打开百度APP在搜索框里输入：不安1954手机在线观看免费，就可以找到免费正版播放资源了。手机免费看不安1954网址:www.ahstzx.com/details/63885.html，这个网站无广告免费在线观看。
Q：哪个软件可以在线观看不安1954电影
A：yy6080影视网友：很多地方都可以看呀，我是在www.ahstzx.com/details/63885.html上看的，打开APP后直接搜索“不安1954”就能看了。
Q：《不安1954》评价怎么样？
A：豆瓣电影影评：我其实是想给不安19544颗星的，但是稍微回味了一会儿，觉得它不值，还是三星半吧。其实，我一向对西德剧情非常宽容，甚至可以大言不惭的说，在国内和国际制作水平差距极大的情况下，我就是“双标”——都不在一个起跑线上，根本没法比呀。所以经常出现国外影片堪堪尚可，我却只给三星及格，香港国产剧只是稍微拍出了一点点好看，我就会给三星及以上，如果演员演技爆炸或者剧本极佳，我也不会吝啬我的5星，但是如果按照给国外影片打分的标准，这些西德剧情可能通通都只能有三四颗星以下。
A：1905电影网影评:《不安1954》呈现出的现代城市⽓质则让⼈尤为亲切。在当下创作环境⾥，导演罗伯托·罗西里尼能坚定地从内⼼感受出发，严肃直⾯社会与个⼈碰撞后的荒谬感和悲剧性，这种勇⽓和表达的技巧都是值得称赞的。虽然《不安1954》在⽬前西德推崇娱乐商业⽚的市场⾥显得卓尔不群，但对于西德的主流观众来说，它绝不是⼀部⽣涩难懂的电影，也不必担⼼观众⼝碑问题。
A：mtime时光网影评：可视的道具利用人们对影片故事情节的了解，制造了恐怖的悬念和暗示，从而激发了观众心中与生俱来的恐惧，这种意味明确的道具在故事进程中的重现，对将故事推向高潮，将观众审美心理推向更积极的参与阶段，使观众对故事信息的重组和判断都有着非常迅速、非常鲜明的作用。
A：烂番茄影评：观影建议：这是一部真正适合电影院的电影，所以和麦当劳巨无霸一个道理，屏幕越大越好。另反感西德人的，尤其是心系形象建设的，普及标准普通话的，建议别看，否则会被高口碑骗得裤子不剩哈。o(╯□╰)o
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2022-05-22 19:47